Day 17

10/05/2011

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Yesterday, I had a great experience with my friend Amber.  We sort of had a skills-exchange party.  Amber showed me some things about sewing and I showed her some things about knitting.  We had a great day.  I made a pillowcase, which doesn't actually fit any of our pillows.  I know how to do it now though.  Not difficult at all.  From soup to nuts I think it took me under an hour.  We also worked on a skirt (just the muslin, I don't intend to wear it).  Anyways, I had such problems with the pattern and the book that I think I am going to quit this one and make something else instead.  I have another book that the pillow pattern comes from, which might be a better fit for me.  Also, Amber left some patterns for me to try, so I'm going to give those a whirl.  I hope we can have another skills exchange party again soon!
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The front of my pillowcase. I like argyle.
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The back, with envelope opening showing. That's how you get the pillow in.
For my business study today, I watched four more episodes on The Art of Photography.  The first episode was on filters, which are more appropriate for film cameras than digital.  With digital, it is more effective to use Photoshop than a filter.  The second episode was on metering without a light meter, which involved changing the aperture and the f-stop.  I also learned that lots of photographers take slightly darker and lighter photos to make sure that at least one turns out as they had hoped.  The third was on a photographer who put together a book called The Americans, and had sort of a photojournalistic style.  Finally, the last one was about composition, and there were many elements to it other than the rule of thirds.  One thing that stood out was the use of triangles, often creating points with eyes.  Most of these triangles were right-angle triangles.  Another think I liked was the use of curves in photos, usually on one of the stress points created by the thirds.

I finished the last chapter in my design book, and will be going back to invent exercises for each chapter to make sure that I have grasped the concepts.  This last chapter was on time and motion.  It was a pretty short pattern.  Motions on the picture frame are intended to slow down the gaze of the viewer, who will usually try to look at something quickly.  Motion can be implied by line direction or shape position.  The sequencing of images gave rise to animation and moving pictures.  Some artists, such as the Cubists, tried to give the impression of moving around the subject by showing multiple viewpoints.  This can be seen in Cezanne's works, where parts of the table don't line up and where some objects are viewed head-on and others are viewed from above.  Sometimes images are superimposed or blurred to give the impression of moving around the subject or to suggest motion.  Think of cartoons in which the character runs, and his feet turn into multiple feet moving very quickly.  The chapter has a short history of moving pictures, which I won't get into here, and also discusses video artists.  Additionally, computers and multimedia can be used in art now.  Motion can also be implied in three dimensional work, again by showing multiple viewpoints.  Additionally, there is kinetic art, which is usually sculpture that actually moves.

In dyeing today,  I had an interesting experiment:  trying to make brown.  Theoretically, brown should be dark orange.  I don't have black to add to orange (which I can make with red and yellow).  What I did was to mix up some golden yellow, which is close to orange, and added a tiny bit of blue and a tinier bit of red.  The dye looked pretty brown but it seemed a bit on the orange side when I painted it on.  I won't know exactly what the color will be until I've washed out the dye.  I am hoping it will be brown, but I can keep mixing if not.  I didn't saturate my cloth with dye so I'm hoping I can dye it once more if it's not brown enough.
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The bottom one turned out very orange. I tweaked it a bit after that.
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Looking browner, but still a bit orangey on the resist. We will see.
 


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